Path to Infinity (triptych)

The composition consists of three equal sized parts of 90х37 сm. They unite in one part, the specific universe. The painting is made in cold tones. The main active substance is spontaneous spots clusters. During the creative process I let the rational perception go and dived into meditation of Eternity. I reflected on what Life is in relation to outer Space. I create diving into depths of subconscious; my hand is being led by unknown power forming this new Universe undiscovered in its violet infinity. Vibrant inclusions of light spots tell us that life resembles the gleam of light between the two perfectly dark eternities. I try to understand what hides behind the tenebrous mist of birth and death. Through abstract spots I endeavor to splash out what human conscious is unable to understand and outspeak. However conscious constantly tends to be beside itself and catch the unconceivable. This is its paradox. This paradox is my eternal source of inspiration. In my artwork I try to look behind the horizon line of life. Each part of the triptych is the experience of penetration to the place where human shadows are visible. It’s the experiment with holy and devilish, the search of the path out of a labyrinth. However the found path oftentimes leads into another labyrinth, to another part of the triptych infinitely over and over again.
Barely outlined silhouettes feel the closeness of the transcendent, approach the edge of the concealed and experience the influence of spirits. Similar to prophetic dreams they create phantom worlds and vanish there. It’s as if I draw the signs on sand inviting a viewer to penetrate behind the veil of time through them. Via these signs and abstract forms we allegedly get into mirror-world or our own daydreams. At the same time, in the inmost of my heart I feel something mesmerizing connecting two perfectly black eternities everyone has their own way to.